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Hello, Login to start. Not a member? Join Today! This lick is a mix of 16th’s and 32nd’s and makes for a nice one bar fill in which you can vary the last two beats in terms of how you…
Hello, Login to start. Not a member? Join Today! As requested by a member, here is the first instalment of some Paradiddle fill ideas. I don’t use paradiddles much in their stock form except for this phrase which used the…
Hello, Login to start. Not a member? Join Today! Here’s part two of the traditional grip lesson with a couple more great exercises for developing some strength, endurance and also articulation. This content is for members only. Add to Favorites
Hello, Login to start. Not a member? Join Today! As requested by one of the members, here is a guide to traditional grip. It can be a good idea to practice a little bit of traditional grip even if you’re…
Hello, Login to start. Not a member? Join Today! I recently recorded a video for Sabian cymbals with bass player, Janek Gwizdala. In this lesson I’ve taken an extract from the song and made it into a loop for you…
Hello, Login to start. Not a member? Join Today! Here’s a 16th note triplet phrase for you to work on. It’s simpler than it sounds. It takes up two beats and is just constant 16th note triplets but it’s where…
Hello, Login to start. Not a member? Join Today! This is a GREAT triplet phrase that I learned from Dave Dicenso. It’s simpler than it sounds comprising of just one bar of 16th note triplets but it contains a few…
Hello, Login to start. Not a member? Join Today! Here’s an extension idea for the ‘Blushda’ lick we covered previously. Orchestrating it with the left hand on the hi-hat offers a cool alternative to the usual way of playing it.…
Hello, Login to start. Not a member? Join Today! This is a groove that came from a guitarist friend of mine hearing the downbeat in a different place to me and using to record a song over. I had to…
Hello, Login to start. Not a member? Join Today! This serves as a great hand exercise for building your technique. The last groupings of each bar (in the first example) add up to five notes because of the flam note…